Las brujas de Zugarramurdi: thiefs, witchery and pigeons

Title: Las brujas de Zugarramurdi (Witching & Bitching)

Year:  2013

Director:  Álex de la Iglesia

Running time: 112 min.

Country: Spain

The films of Álex de la Iglesia are always intense action-packed experiences with a strong dose of dark humour. I have to confess that I am a great fan of this director. It was a great pleasure to find pigeons in this one that portrays the difficult relationship between men and witches. The former being criminals escaping from a robbery, and the latter, witches that have planned to sacrifice the men by means of an ancient ritual.

What none of them could have foreseen was that love would blossom between one of the men and a witch. An intriguingly romantic topic, but that is unfortunately out of the scope of the PMDb.

Eva (played by Carolina Bang), is the witch that falls in love.

José (Hugo Silva) is her counterpart. 

In the middle of this outlandish story, near the film's climax there is a sexually charged scene between these two characters. The passionately kiss in a room of a semi-abandoned mansion that is also occupied by with pigeons (here we go). The birds, alarmed by the tension of the scene, fly away, with some of them clumsily winging their way into the two protagonists.

Love scene complemented by scared pigeons.

Details of the pigeon starring 

• Source: Las brujas de Zugarramurdi. Starring moments: 1:13:07
• Pigeon activity:  This film contains a single pigeon scene of scared pigeons that fly away from the two main characters. 
• Symbolism: None. There is no symbolism in this scene. The pigeons are used to demonstrate that the mansion where the witches live in is in a semi-abandoned state.  
• Relevance: Low. Although some of the pigeons hit the head of the protagonists and they attract the attention of Jose, Eva (see animation above) shakes him and is able to keep him focused on what she it talking about.  
• Training level: Low. In this scene the pigeons are thrown in a quite rude way. The movement of the pigeons when they hit the characters is quite artificial and directed. In some cases it seems that they used a pigeon cannon to propel our feathered friends, instead of a gentle human assistant. 

Hannibal: a pigeon choreography displaying the cannibal

Title: Hannibal

Year:  2001

Director:  Ridley Scott

Running time: 131 min.

Country: United States

This film represents a perfect example of mainstream film that leverages pigeons for multiple purposes (creating perturbing or pitiful feelings in the spectator) . The first pigeon appearance is in the main credits. Here, pigeons are shown in grey scale, recorded with low resolution by surveillance cameras. Here pigeons are shown as mysterious and slightly hideous creatures. In this scene we can see a close up of a pigeon and several shots of pigeons in parks (the reason the security cameras are recording pigeons is uncertain, maybe they were calibrated by a pigeon fancier).

In the main credits we can see a sinister pigeon with a defiant look... maybe it's a cannibal 

In the main credits there is a dark scene with a flock of pigeons gathered in a square

What is more clear is the reason for introducing pigeons in this point of the film: they were used to represent Hannibal Lecter. In the scene, a large flock of pigeons gathers and creats Hannibal's face. This image lasts for a very short time. It is both disturbing and quite an achievement to find a mixture of pigeons, pixel-art and cannibalism-exaltation in a single shot.

Hannibal's face created by a flock of pigeons

According to Wikipedia:  The tile sequence remained on Scott's mind and would eventually end up as the main title sequence. Livesey would gather footage of pigeons in an empty square in Florence early one morning which, in the final cut, would morph into the face of Hannibal Lecter. Scott believed it a good idea, as it fundamentally asked the question: 'Where is Hannibal Lecter?' Scott explains: "And of course this story tells it, with pigeons in the cobblestones of somewhere, where you wonder where that is ... and there he is... his face appears.". The titles are said to have been influenced by the film Seven.

Later, in the film, Hannibal tells a perturbing story about roller pigeons (pigeons with the ability to roll in the air) to justify how behavior can be controlled by genes. He mentions that there are two classes of roller pigeons, deep rollers and shallow rollers.  When two deep rollers are bred together, their offspring will roll to the ground and kill themselves. The scene that includes this conversation can be seen here. A curious story that is unclear whether true or false.

There is a counterpart to this scene related to one of the characters that rescues an injured pigeon from a road and tries to take care of it. This action clearly shows that he is a noble person. Although this is a secondary character, he provides a crucial hint to the research of the investigation into the case.

This man is putting his life in risk to save an injured pigeon

The rescued injured pigeon with a fellow pigeon that shows concern for health

Details of the pigeon starring 

• Source: Hannibal. Starring moments: 0:3:40, 0:4:24, 0:24:30, 0:27:33, 0:29:03 (last three timestamps represent a pigeon hotspot).
• Pigeon activity:  This film contains several pigeon appearances. All of them are wild pigeons that roam, fly or lay in public areas.
• Symbolism: The first pigeon appearance (in the main credits) is full of symbolism. Both the intriguing representation of the pigeons as well the formation of Hannibal's face, create the impression that the dark shadow of Hannibal Lecter is so shape-shifting and ethereal that it can appear and disappear anywhere. 
• Relevance: Medium. Unfortunately the pigeon activity does not have a relevant impact on the film plot. However, they are the protagonists in the main credits and are mentioned by Hannibal Lecter.  
• Training level: Low. The pigeon appearances in the main credits are wild animals or CGI generated. The other one, that lays injured, does not perform any action and probably is a sedated animal or a dummy. 

La casa de las palomas: the tragic ending of the pigeon inquisition

Title: La casa de las palomas

Year:  1972

Director:  Claudio Guerín

Running time: 90 min.

Country: Spain

A film entitled La casa de las palomas (The house of the pigeons) looks promising in terms of pigeon activity. After watching it, I have to confess that it was much more than I had expected. There are pigeons everywhere, outdoors, indoors, on the characters' heads an even within their minds. We are facing a pigeon-intensive film with feathered appearances of great symbolism and even horror.

This film presents a bizarre love triangle (between humans) in which we aren't particularly interested initially, given that we focus, as usual, on the pigeon appearances. However, in this film, the sexual conducts of the humans has a strong impact on the future (and tragic) actions related to the pigeons.

From my perspective, this film has some parallelism with Requiem for a dream. What at the beginning looks like a romantic film (in this context, with pigeons involved), later turns into a drama that leads to a pigeon apocalypse with several gory scenes (with pigeons as the tragic protagonists). Let's start from the beginning. Note: the following contains several spoilers about the film plot.

There is a man, that has a mistress who is the daughter of his would-be lover. They conduct their affair secretly in a house that belongs to a lady, who happens to be a pigeon fancier.

The lady pigeon fancier that lives in the house with one of the animals. Based on the subsequent actions taken by the birds, Torquemada (a famous Spanish inquisitor) could be a good name for the dove.

The pigeon lofts are in the roof of the house. It is interesting to highlight that all of them are doves. These animals, known for their purist symbolism really do turn out to be puritanical creatures that do not approve of the immoral relationship that is taking place in their abode (with the approval of their keeper).

It looks like a innocent dove, but do not be fooled, we are looking at a feathered inquisitor.

So, the doves decide to act, with all the possible enforcement measures that this creature is capable of. They focus on the mistress, maybe because she was weaker than the man, maybe because she was the female (in this case, we are also be talking about sexist birds).  Consequently, the first punishment action occurs in the pigeon loft, when the girl comes to visit the birds. Several doves attack her and she has to escape, just a little scared (of course, we are talking about doves, not Hitchcock's crows).

The mistress being attacked by the doves when she was visiting their loft.

The thing is that the doves and pigeons in this film are magical, and have the ability to appear supernaturally in the house. Knowing the intention of the birds, it doesn't bode well.

Doves and pigeons magically appear in the living room looking to deliver punishment.

Then, one an amazing sequence is displayed. We can see an eye-to-eye stare-off between the girl and the inquisitors. With a little  imagination we can see the look of judgement in the pigeon's glare.

Eye-to-eye stare-off between the protagonist and the inquisitor pigeons.

The punishment process continues. The girl faints and the the birds enter her mind by means of dreadful nightmares. The girl sees herself dead, surrounded by the doves.

Representation of a dead girl surrounded by the pigeons. At least in dreams, they have reached their goal.

Fortunately for the protagonist, there is an unexpected turn in the plot when a fan that was activated in the room got rid of the pigeons by cutting them with the blades. Amazingly, this romantic film turns into a gory massacre for the pigeons.

When the girl's lover comes in the room he finds a dead pigeon next to the door. He surprisingly finds all the doves dead and the girl saved. This is the end of the story: all the birds have been killed by the fan and the lovers reunite.

Tragic shot of a dead pigeon next to the room's door. 

The lovers finally reunite in a room filled with dead birds and avian blood everywhere. 

Details of the pigeon starring 

• Source: La casa de las palomas. Starring moment: many of them, 0:41:37, 0:49:43, 1:26:00
• Pigeon activity: There is plenty of pigeon activity. In this film we can find normal pigeons in many locations: in the loft, rooms, on furniture, even on the characters. They exhibit an aggressive behaviour against the girl. The doves in the film look lovely, but they are actually evil and full of resentment. They are even worse than the Pigeons from Hell. 
• Symbolism: Very high. The film uses doves to reflect a pure (or puritan) moral opposed to the liberal conduct of the film's protagonist. In a different way from the conventional symbol of pigeons (peace, fraternity, ...) these indignant animal decide to take action and punish and kill the protagonist. 
• Relevance: Very high. Pigeons are responsible for tormenting the protagonist in many ways, including physical action and physiological torture that almost took the life of the protagonist.  
• Training level: Very high. The doves act very well in this film. There are no special effects, thus all the performances are real and feel very realistic taking into account the complexity of the storyline. 

Prince of Darkness: a pitiful pigeon crucifixion

Title: Prince of Darkness
Year: 1987
Director: John Carpenter
Running time: 110 min.
Country: United States

In this horrific film a group of scientists are surrounded and killed by a gang of people possessed by Satan. John Carpenter exhibits muscle in a film that combines horror, violence and despair. In this context there is a pigeon appearance in a sequence that, at least for me, is the most revolting pigeon-scene I have ever witnessed in a film.

Here we can find the careless scientist falling into the trap

The scene occurs when one of the scientist leaves the building where he is working only to fall into a trap prepared by the satanically possessed homeless. The trap is quite simple: in a lonely and dark alley next to the building a strange object is laid on the floor that attracts the attention of the scientist (we all know about the inherent curiosity exhibited by the members of this community- the scientists).

When he approaches strange object he discovers that it is a pigeon crucified using two sticks, and  shortly after he is cornered by the bad guys (or rather, the possessed ones, because they may have originally been good persons). One of them, played by singer Alice Cooper, kills him using a stick in a quite violent way. A very sad ending to such a promising career....

After carefully watching the scene I am still unsure if the pigeon recorded in the scene was a real one - I sincerely hope not. I searched in the final credits and I couldn't find any statement showing that they have followed the Animal Welfare Act (AWA) or the federal Endangered Species Act (ESA). I hope that this little animal was not harmed in the film recording. No one deserves that, even for a damn good horror film. 

Details of the pigeon starring 

• Source:  Prince of Darkness. Starring moment: 0:35:35
• Pigeon activity: None, The pigeon appears dead by crucifixion.  
• Symbolism: High. The whole film has a strong Christian undercurrent: a context of a group of scientists lead by a priest, evil itself contained in a church cellar, infernal possessions... in this context the miserable and cruel demise of an innocent pigeon that could be argued to represent the Holy Spirit can be seen as coherent (of course, from evil's perspective). 
• Relevance: Medium. This scene represented the first death of one of the film's characters. The role of the pigeon was important to achieve this action. 
• Training level:  Not applicable (the pigeon was dead).