Sunday, June 30, 2019

Las brujas de Zugarramurdi: thiefs, witchery and pigeons

Title: Las brujas de Zugarramurdi (Witching & Bitching)
Year:  2013
Director:  Álex de la Iglesia
Running time: 112 min.
Country: Spain

The films of Álex de la Iglesia are always intense action-packed experiences with a strong dose of dark humour. I have to confess that I am a great fan of this director. It was a great pleasure to find pigeons in this one that portrays the difficult relationship between men and witches. The former being criminals escaping from a robbery, and the latter, witches that have planned to sacrifice the men by means of an ancient ritual.

What none of them could have foreseen was that love would blossom between one of the men and a witch. An intriguingly romantic topic, but that is unfortunately out of the scope of the PMDb.

Eva (played by Carolina Bang), is the witch that falls in love.

José (Hugo Silva) is her counterpart. 
In the middle of this outlandish story, near the film's climax there is a sexually charged scene between these two characters. The passionately kiss in a room of a semi-abandoned mansion that is also occupied by with pigeons (here we go). The birds, alarmed by the tension of the scene, fly away, with some of them clumsily winging their way into the two protagonists.

Love scene complemented by scared pigeons.

Details of the pigeon starring 

  • Source: Las brujas de Zugarramurdi. Starring moments: 1:13:07
  • Pigeon activity:  This film contains a single pigeon scene of scared pigeons that fly away from the two main characters. 
  • Symbolism: None. There is no symbolism in this scene. The pigeons are used to demonstrate that the mansion where the witches live in is in a semi-abandoned state.  
  • Relevance: Low. Although some of the pigeons hit the head of the protagonists and they attract the attention of Jose, Eva (see animation above) shakes him and is able to keep him focused on what she it talking about.  
  • Training level: Low. In this scene the pigeons are thrown in a quite rude way. The movement of the pigeons when they hit the characters is quite artificial and directed. In some cases it seems that they used a pigeon cannon to propel our feathered friends, instead of a gentle human assistant. 


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