Las brujas de Zugarramurdi: thiefs, witchery and pigeons

Title: Las brujas de Zugarramurdi (Witching & Bitching)

Year:  2013

Director:  Álex de la Iglesia

Running time: 112 min.

Country: Spain

The films of Álex de la Iglesia are always intense action-packed experiences with a strong dose of dark humour. I have to confess that I am a great fan of this director. It was a great pleasure to find pigeons in this one that portrays the difficult relationship between men and witches. The former being criminals escaping from a robbery, and the latter, witches that have planned to sacrifice the men by means of an ancient ritual.

What none of them could have foreseen was that love would blossom between one of the men and a witch. An intriguingly romantic topic, but that is unfortunately out of the scope of the PMDb.

Eva (played by Carolina Bang), is the witch that falls in love.

José (Hugo Silva) is her counterpart. 

In the middle of this outlandish story, near the film's climax there is a sexually charged scene between these two characters. The passionately kiss in a room of a semi-abandoned mansion that is also occupied by with pigeons (here we go). The birds, alarmed by the tension of the scene, fly away, with some of them clumsily winging their way into the two protagonists.

Love scene complemented by scared pigeons.

Details of the pigeon starring 

• Source: Las brujas de Zugarramurdi. Starring moments: 1:13:07
• Pigeon activity:  This film contains a single pigeon scene of scared pigeons that fly away from the two main characters. 
• Symbolism: None. There is no symbolism in this scene. The pigeons are used to demonstrate that the mansion where the witches live in is in a semi-abandoned state.  
• Relevance: Low. Although some of the pigeons hit the head of the protagonists and they attract the attention of Jose, Eva (see animation above) shakes him and is able to keep him focused on what she it talking about.  
• Training level: Low. In this scene the pigeons are thrown in a quite rude way. The movement of the pigeons when they hit the characters is quite artificial and directed. In some cases it seems that they used a pigeon cannon to propel our feathered friends, instead of a gentle human assistant. 

Ghost in the shell: what a feathered surprise!!

Title: Ghost in the shell

Year:  2017

Director:  Rupert Sanders

Running time: 107  min.

Country: USA

In this film I was surprised seeing a fascinating futuristic mega-city in Japan, altered humans with all kinds of cybernetic artefacts and plenty of action. But it also depicts poverty, social inequalities, corruption and a lack of respect for human-rights. A very sad futuristic perspective that at least was compensated by a feathered surprise.

Mira discovers the abandoned house that hosts the pigeons

When amnesia-sufferer "Major" Mira Killian (Scarlett Johansson) is in the search of her forgotten past she discovers an abandoned house covered with several pigeons that have adopted it as a resting place.

We can observe several pigeons flying and others standing on the roof

This peace is interrupted by the appearance of Ms. Johansson and the subsequent extreme violence scenes. Because of this, the Japanese pigeons serenely fly away. Fortunately, these pigeons do not seem to have any cybernetic implants.

Another screen shot with a nice pigeon siluetee 

Details of the pigeon starring 

• Source: Ghost in the shell. Starring moment: 1:23:24
• Pigeon activity: Even in a distant future, pigeons behave in the same way as today.
• Symbolism: Pigeons are used to provide more realism to the abandoned scene that is being displayed.
• Relevance: None. They only distract the protagonist for a short interval of time.
• Training level: Low. They only fly in the distance.
  

Mr Nobody: pigeon superstition

Title: Mr. Nobody
Year: 2009
Director: Jaco Van Dormael
Running time: 133 min.
Country: Belgium




It is very interesting to find a non-pigeon-oriented film (I mean, not a documentary about pigeons) where the main credits are exclusively devoted to a beautiful dove. And of top of that, to illustrate how clever the animal is at solving complex tasks.  Indirectly, this scene also introduces us to "pigeon superstitious animal behaviour".

In the scene we can see how a dove is trying to catch a piece of food. Unfortunately, the tasty meal is too high and the bird cannot reach it.

Oops!!! The pigeon realises that the food is too high.

The suspense level dramatically increases when the dove notices the existence of a pedestal than can be used to reach a higher position but it is too far away from the food.

However, the dove is able to drag it using its beak, and finally, in a quite surprising way, leverages it to reach the tasty meal. From the bird's perspective, this is a happy end to the story.

The pigeon is dragging the pedestal

And finally gets the food

If this scene was not enough birdy propaganda, the film producers use additional time in the film's credits to  show more experiments (in black and white) showcasing pigeons solving complex tasks.  The complete scene can be seen here.

In the following experiment we can see the presence of superstition in pigeons. In the experiment, some food was automatically provided to the pigeons at regular intervals of time, with independence of the animal's conduct. What happened was that the pigeons seemed to associate the delivery of the food with the actions they had been doing before and, with the intention of obtaining more food, they continued  to perform the same actions

A happy superstitious pigeon.

The interesting thing about this theory was it's link with human behaviour.

The experiment might be said to demonstrate a sort of superstition. The bird behaves as if there were a causal relation between its behavior and the presentation of food, although such a relation is lacking. There are many analogies in human behavior. Rituals for changing one's fortune at cards are good examples. A few accidental connections between a ritual and favorable consequences suffice to set up and maintain the behavior in spite of many unreinforced instances. The bowler who has released a ball down the alley but continues to behave as if she were controlling it by twisting and turning her arm and shoulder is another case in point. These behaviors have, of course, no real effect upon one's luck or upon a ball half way down an alley, just as in the present case the food would appear as often if the pigeon did nothing—or, more strictly speaking, did something else.

Details of the pigeon starring 

• Source:  Mr Nobody. Starring moment: 0:1:13.
• Pigeon activity: Pigeons and doves appear solving complex tasks and proving that they can exhibit complex behaviours. 
• Symbolism: High. This scene can be seen as a allegory of the different choices that one person makes in his life and how they change his/her destiny. 
• Relevance: Low. It is surprising to see how such pigeon-intensive credits have no relevance to the film's plot. 
• Training level: Medium. Some of the pigeons were subjected to an artificial environment that causes the behaviours described in this post. 

Howl's Moving Castle: a regular pigeon day

Title: Howl's Moving Castle
Year: 2004
Director: Hayao Miyazaki
Running time: 119 min.
Country: Japan

Sophie Hatter, a young girl, is transformed into an old woman when she is cursed. She helps Wizard Howl to remove the curse and return to her original appearance. Howl asks her to attend to an appointment with the new Royal Wizard. He promises her that he is going to be with her disguised but he doesn’t reveal which kind of disguise he plans to use. During her way to the palace Sophie asks herself about Howl's disguise. She looks at a flock of pigeons on a statue and wonders if Howl is one of these animals... no way!!

Details of the pigeon starring 

• Source:  Howl's Moving Castle. Starring moment: 0:50:34

• Pigeon activity: Staying on the top of a big statue... typical activity for urban pigeons. It is a very realistic representation. You can even notice the pigeon droppings on the statue.

• Symbolism: They represent the typical urban pigeons.

• Relevance: Very low. They are used for presenting a city full of life and activities but they don't have any relevance in the rest of the movie.

• Training level: Not applicable.

Game of thrones: is Daddy a pigeon now?

Title: Game of Thrones
Year: 2011 
Director: David Benioff, D.B. Weiss, Timothy Van Patten, Brian Kirk, Daniel Minahan, Alan Taylor
Running time: 55 min.

Country: United States
 


In the ninth episode, at King's Landing, Lord Eddard Stark's situation is becoming critical. In fact, he  is publicly beheaded in presence of his daughter Arya. During this tragic act, Arya can't  bear to see how  her father's head is severed and she looks at the sky. What does she see? A flock of pigeons. 

 

 

Details of the pigeon starring

Note: The following terms are related to the pigeons, not the girl. 

• Source: Game of Thrones. Episode 1x09. Starring moment: 55:00.  

• Pigeon activity:  A flock of pigeons flying away.

• Symbolism: I think it's interesting to relate the death of Lord Eddard to the pigeons. My hypothesis is that the birds symbolize the soul of Lord Eddard, which is now free to fly away from the insane universe of Game of Thrones. In this case, the presence of pigeons has an important significance because it is a point of relief for Arya.  My interpretation of this scene is that Lord Eddard's soul becomes a flying dove.  

• Relevance: The use of pigeons creates in Arya a relief from the traumatic experience of her father execution. Perhaps because of the pigeons she doesn't get hysterical and she eventually can escape from the Lannister clan.

• Training level: None. They are wild pigeons.

King Pigeon Jr.